This week, I’ve been listening to The Beatles’ self-titled 1968 “white album” for what I can learn to improve my craft as a songwriting musician. Such a variety of fantastic songs fill this double LP that I find it difficult to generalize or say only a few things. A week was not enough. This is probably my second favorite Beatles album. It opens with the rocking “Back in the U.S.S.R.“, closes with the gentle “Goodnight”, and journeys through a spectrum of Beatles styles on the way.
The noisy chaos of “Helter Skelter” makes it one of my favorites. The song nearly gets away from The Beatles, as if they’ve created a monster that they can’t keep up with. I believe they were inspired by The Who’s “I Can See For Miles” and you can certainly hear the influence. The drummer pounds on the snare and cymbals as if he’s afraid nobody will hear him over the other instruments. There’s brilliantly fuzzed guitar constantly provides an atmospheric noise in the background; A raw punk bass angrily struggles to keep up with the drums; A lead guitar plays a descending riff after the vocals in an attempt to keep things grounded. The vocals too are strained. Even though they are playing together, all of the elements are fighting to be up-front and the loudest. It’s the greatest. “Everybody’s Got Something To Hide Except Me and My Monkey” enters has a similar feel, but with less chaos. I love them both.
I didn’t care for “
“Dear Prudence” opens with a what sounds like finger-picking on an electric guitar and a quieter acoustic guitar. The arpeggios spin like a carousel; a glissando-filled bass-line in the next verse enhances that spinning sensation. At the end of each section, there is a rest before the the next begins. Each section adds layers of instruments building up to the final section. Another electric guitar joins about halfway, during the “look around, round, round” bridge, letting us know that the big finish is coming: an optimistic coda “the sun is up, the sky is blue, it’s beautiful and so are you.”
I’ll also add that I’ve always loved the Siouxsie and the Banshees’ cover of Dear Prudence. I don’t know if Robert Smith of The Cure played in the song, but he does show up in the music video.